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In Ofuscada, a seated figure tilts her head and gathers her hands in a closed gesture, as though trying to organize an experience that overwhelms her. The face remains in profile, suspended between concentration, fatigue, and disconnection.
Yellow-greens, greys, and violets accumulate across a surface marked by splashes and traces of process. The painting makes an inner state visible without explaining it, translating it into posture, density, and matter.
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Acrylic and crayon on scenographic paper
2024
120 x 69 cm
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Signed and dated
