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In Soltar II, Roglich unfolds a diptych where the atmosphere shifts and geometry becomes narrative. An origami figure appears first suspended, then in motion, as if passing through a process of release. Between the two works, a shared void—an exact rhombus—suggests that something must be freed for something new to occur. The two halves speak in tension: presence and absence, containment and flight. Painting thus becomes a passage—between states, between planes, between what remains and what transforms.
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Diptych
Oil on canvas
70 x 70 cm.
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Series: Plegados
Signed and dated
