In Santa Rita Constructo, Danny Scherman gathers fragments of the city and transforms them into a body charged with memory and spiritual resonances. Stone, synthetic paint, and metallic glimmers coexist with traces of masonry and urban remnants, as if what was discarded could rise again as symbol and ritual.
The work does more than assemble materials: it proposes an encounter between the sacred and the everyday, where the cross, gold tones, and geometry converse with the roughness of ruin. There, what once seemed like residue finds a new order, evoking both the persistence of faith and the possibility of reconstruction amid collapse.
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Ensemble of urban pieces intervened with brush, using synthetic and acrylic paint
