On Saturday, July 26, Cassia House became the stage for the unrepeatable: an intimate experiment between painting, the moment, and human connection. Lo que pinte, the live action by Julián Rodríguez Vigo, turned the gallery into an open studio—a space where the work wasn’t finished, nor even begun, but in the process of happening.
Throughout the evening, the artist allowed himself to be moved by the atmosphere, by glances, by the timid or bold gestures of the audience, who gradually joined the canvas with their own words, colors, and marks. The painting didn’t progress in a straight line, but in a spiral—built through doubts, detours, and shared discoveries. What would have been a private process in another context became here a silent performance and an unscripted conversation.
Live music accompanied each moment as an extension of the pictorial gesture. Francisco Grubisich opened the evening with a series of blues improvisations on electric guitar, creating an introspective and intimate atmosphere. Then, artist Zeta Yeyati joined in on soprano sax, shifting the sonic mood toward a playful and vibrant jazz improvisation, naturally mirroring the evolving energy of the painting.
Wine flowed as part of the ritual—not as a mere complement, but as a parallel language. Every element—sound, body, color—contributed to the sense of witnessing something unrepeatable, something that could only happen in that precise moment, with those exact people.
With Lo que pinte, Cassia House reaffirms one of its most vital pursuits: making art a living event, where looking is not a passive act, but a way of entering into dialogue with what is still coming into being.
