Camila Oets develops a practice that intersects visual arts, cinema, and new media, understanding the image as a space where the abstract can become matter. Her work stems from a need to translate ideas, emotions, and questions into tangible surfaces, constructing a language in which the artistic gesture functions as a form of understanding and transformation.
Trained in Film Directing at the University of Palermo and currently a Visual Arts student at UMSA, her research is grounded in conceptual investigations that she later unfolds within the visual field. The body, chaos, and everyday life emerge as recurring axes, approached through a perspective that dismantles hegemonic structures in order to propose new, sensitive, and affective readings.
Through drawing, painting, photography, and soft sculpture, Oets explores the potential of form and encounter, creating images and objects in which disorder is organized according to internal logics and corporeality becomes a territory in constant mutation. Her work re-signifies the urban and the intimate, proposing scenes that invite a rethinking of the relationship between image, experience, and perception.
